UTAS Research


ABS. (2010a). Attendance at Selected Cultural Venues and Events, Australia, 2009-10 4114.0. Canberra: Australian Bureau of Statistics.

ABS. (2010b). Australian National Accounts: Input-Output Tables – Electronic Publication, Final release 2006-07 tables 5209.0.55.001. Canberra: Australian Bureau of Statistics.

ABS. (2012). Australian National Accounts: Input-Output Tables, 2008-09 (Vol. 5209.0.55.001). Canberra: Australian Bureau of Statistics.

ABS. (2014a). Australian National Accounts: National Income, Expenditure and Product, Jun 2014 5206.0. Canberra: Australian Bureau of Statistics.

ABS. (2014b). Consumer Price Index, Australia 6401.0. Canberra: Australian Bureau of Statistics.
Anderson, T. L., Grunert, C., Katz, A., & Lovascio, S. (2010). Aesthetic Capital: A Research Review on Beauty Perks and Penalties. Sociology Compass, 4(8), 564.

Ansell, G., & Barnard, H. (2013). Song Lines: Mapping the South African Live Performance Landscape.

Armstrong, E. G. (2001). Gangsta misogyny: A content analysis of the portrayals of violence against women in rap music, 1987–1993. Journal of Criminal Justice and Popular Culture, 8(2), 96-126.

Arts Council England. (2014). The value of arts and culture to people and society: an evidence review. London.

Bakhshi, H., Freeman, A., & Higgs, P. (2013). A dynamic mapping of the UK’s Creative Industries.

Balabanis, G., & Diamantopoulos, A. (2011). Gains and losses from the misperception of brand origin: The role of brand strength and country-of-origin image. Journal of International Marketing, 19(2), 95-116.

Behr, A., Brennan, M., & Cloonan, M. (2014). The cultural value of live music from the pub to the stadium: Getting beyond the numbers.

Binder, A. (1993). Constructing racial rhetoric: Media depictions of harm in heavy metal and rap music. American Sociological Review, 753-767.

Black, G. C., Fox, M. A., & Kochanowski, P. (2007). Concert tour success in North America: An examination of the top 100 tours from 1997 to 2005. Popular Music and society, 30(2), 149-172.

Blood, D. J., & Ferriss, S. J. (1993). Effects of background music on anxiety, satisfaction with communication, and productivity. Psychological reports, 72(1), 171-177.

Bourdieu, P. (1993). The Field of Cultural Production. New York: Columbia University Press.

Broh, B. A. (2002). Linking extracurricular programming to academic achievement: Who benefits and why? Sociology of Education, 69-95.

Brookshire, D. S., Eubanks, L. S., & Randall, R. A. (1983). Estimating Option Prices and Existence Values in Wildlife Resources. Land Economics, 69, 1-15.

Bygren, L. O., Konlaan, B. B., & Johansson, S.-E. (1996). Attendance at cultural events, reading books or periodicals, and making music or singing in a choir as determinants for survival: Swedish interview survey of living conditions.BMJ: British Medical Journal, 313(7072), 1577.

Carnwath, J. D., & Brown, A. S. (2014). Understanding the value and impacts of cultural experiences. Manchester, United Kingdom: Arts Council England. Retrieved July, 27(2014), 2014-2018.

Carr, D. L., Markusen, J. R., & Maskus, K. E. (1998). Estimating the knowledge-capital model of the multinational enterprise: National Bureau of Economic Research.

Caruso, H. Y. C. (2005). Art as a political act: Expression of cultural identity, self-identity, and gender by Suk Nam Yun and Yong Soon Min. The Journal of Aesthetic Education, 39(3), 71-87.

CNV. (2014). Les Entreprises de Spectacle de Variétés en 2012 & Éléments D’évolution 2008-2012: Centre National de la Chanson des Variete et du Jazz.

Cohen, G. D., Perlstein, S., Chapline, J., Kelly, J., Firth, K. M., & Simmens, S. (2006). The impact of professionally conducted cultural programs on the physical health, mental health, and social functioning of older adults. The Gerontologist, 46(6), 726-734.

Cohen, S. (1999). ‘Scenes’. In B. horner & T. Swiss (Eds.), Key Terms in Popular Music and Culture. (pp. 239-249). Malden, MA: Blackwell.

Costanza, R., Wilson, M., Troy, A., Voinov, A., Liu, S., & D’Agostino, J. (2007). The value of New Jersey’s ecosystem services and natural capital. The Gund Institute of Ecological Economics, Burlington, VT and The New Jersey Department of Environmental Protection, Trenton, New Jersey.

Côté, S., & Healy, T. (2001). The well-being of nations: The role of human and social capital. Paris: Organisation for Economic Co-operation and Development.

Darwin, C. (2010). Why Does Music Make Sex Better? In H. Witchell (Ed.), You are what You Hear: How Music and Territory Make Us who We are (pp. 23): Algora Publishing.

De Clercq, D., & Voronov, M. (2009). The role of cultural and symbolic capital in entrepreneurs’ ability to meet expectations about conformity and innovation. Journal of small business management, 47(3), 398-420.

Deloitte Access Economics. (2011). The Economic, Social and Cultural Contribution of Venue-Based Live Music in Victoria.

DeNora, T. (2000). Music in everyday life: Cambridge University Press.

DiMaggio, P., & Useem, M. (1978). Social class and arts consumption. Theory and Society, 5(2), 141-161.

Dobos, V. (2011). Motivations Research: Appeal triggers and motivations for tourism in Tasmania. Tasmania: Tourism Tasmania.

Dudwick, N., Kuehnast, K., Jones, V. N., & Woolcock, M. (2006). Analyzing Social Capital in Context: A Guide to Using Qualitative Methods and Data. Washington DC: World Bank.

Dworkin, R. (2006). Is Democracy Possible Here?: Principles for a New Political Debate

Edwards, S. F. (1992). Rethinking existence values. Land Economics, 120-122.

Ernst & Young. (2011). Economic contribution of the venue-based live music industry in Australia.

Ernst & Young. (2014). 2013 Ticket Attendance Survey and Review Live Performance Industry in Australia: Live Performance Australia.

Fancourt, D., Ockelford, A., & Belai, A. (2014). The psychoneuroimmunological effects of music: A systematic review and a new model. Brain, Behavior, and Immunity, 36(0), 15-26. doi: http://dx.doi.org/10.1016/j.bbi.2013.10.014

Fikentscher, K. (2000). You better work! Underground Dance Music in New York City.

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Flew, T. (2008). Music, cities, and cultural and creative industries policy. Sonic synergies: music, technology, community, identity, 7-16.

Forsyth, A., & Cloonan, M. (2008). Alco‐pop? The Use of Popular Music in Glasgow Pubs. Popular Music and society, 31(1), 57-78.

Gallan, B., & Gibson, C. (2013). Mild-mannered bistro by day, eclectic freak-land at night: memories of an Australian music venue. Journal of Australian Studies, 37(2), 174-193.

Garrett, S. (2010). The role of community music in helping disadvantaged young people in South Wales to confront social exclusion. International Journal of Community Music, 3(3), 371-377. doi: 10.1386/ijcm.3.3.371_1

Gibson, C., & Homan, S. (2004). Urban redevelopment, live music and public space: Cultural performance and the re‐making of Marrickville. International Journal of Cultural Policy, 10(1), 67-84.

Giesbrecht, N., Bosma, L. M., Juras, J., & Quadri, M. (2014). Implementing and Sustaining Effective Alcohol‐Related Policies at the Local Level: Evidence, Challenges, and Next Steps. World Medical & Health Policy, 6(3), 203-230.

Green, J., & Plant, M. A. (2007). Bad bars: a review of risk factors. Journal of Substance Use, 12(3), 157-189.

Gretton, P. (2013). On Input-Output Tables: Uses and Abuses: Australian Government Productivity Commission.

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Grootaert, C., & Basterlaer, T. v. (2002). Understanding and measuring social capital: A multidisciplinary tool for practitioners. Washingto DC: World Bank.

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Hallam, S. (2005). Enhancing motivation and learning throughout the lifespan: Institute of Education Univeristy of London.

Hallam, S. (2010). The power of music: Its impact on the intellectual, social and personal development of children and young people. International Journal of Music Education, 28(3), 269-289.

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Harrison, S. (2010). Boys on the Outer: Themes in Male Engagement with Music Thymos: Journal of Boyhood Studies, 4(1), 39-53. doi: 10.3149/thy.0401.39

Hearn, G. N., Ninan, A., Rogers, I. K., Cunningham, S. D., & Luckman, S. H. (2004). From the margins to the mainstream: creating value in Queensland’s music industry. Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources(112), 101-114.

Higgs, P. L., Cunningham, S. D., & Bakhshi, H. (2008). Beyond the creative industries: Mapping the creative economy in the United Kingdom.

Higgs, P. L., Cunningham, S. D., & Pagan, J. D. (2007). Australia’s creative economy: Basic evidence on size, growth, income and employment.

Hiser, J. (1998). Understanding the value of your employees’ knowledge. The CPA Journal, 68(7), 56.

Hoffman, A. R. (2012). Exclusion, engagement and identity construction in a socioeconomically diverse middle school wind band classroom. Music Education Research, 14, 209-226. doi: 10.1080/14613808.2012.685452

Holmes, C., Knights, A., Dean, C., Hodkinson, S., & Hopkins, V. (2006). Keep music live: music and the alleviation of apathy in dementia subjects. International Psychogeriatrics, 18(04), 623-630.

Holt, F. (2013). Rock Clubs and Gentrification in New York City: The Case of The Bowery Presents. IASPM@ Journal, 4(1), 21-41.

Homan, S. (2008). A portrait of the politician as a young pub rocker: live music venue reform in Australia. Popular music, 27(02), 243-256.

Homan, S. (2010). Governmental as anything: live music and law and order in Melbourne. Perfect Beat, 11(2), 103-118.

Homan, S. (2011). “I Tote and I Vote”: Australian live music and cultural policy. Arts Marketing, 1(2), 96-107. doi: http://dx.doi.org/10.1108/20442081111180322

Horning, S. S. (2004). Engineering the Performance Recording Engineers, Tacit Knowledge and the Art of Controlling Sound. Social Studies of Science, 34(5), 703-731.

Howe, T. R., & Friedman, H. S. (2014). Sex and Gender in the 1980s Heavy Metal Scene: Groupies, Musicians, and Fans Recall Their Experiences. Sexuality and Culture, 18(3), 608-629. doi: 10.1007/s12119-013-9218-x

Hracs, B. J., & Leslie, D. (2014). Aesthetic labour in creative industries: the case of independent musicians in Toronto, Canada. Area, 46(1), 66-73.

Huang, R.-H., & Shih, Y.-N. (2011). Effects of background music on concentration of workers. Work: A Journal of Prevention, Assessment and Rehabilitation, 38(4), 383-387.

Hutton, A., Ranse, J., Verdonk, N., Ullah, S., & Arbon, P. (2014). Understanding the characteristics of patient presentations of young people at outdoor music festivals. Prehospital and disaster medicine, 29(02), 160-166.

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Johansson, S. E., Konlaan, B. B., & Bygren, L. O. (2001). Sustaining habits of attending cultural events and maintenance of health: a longitudinal study. Health promotion international, 16(3), 229-234.

Johnson, B. K., Mondello, M. J., & Whitehead, J. C. (2007). The Value of Public Goods Generated by a National Football League Team. Journal of Sport Management, 21(1), 123-136.

Johnson, L. (2006). Valuing the arts: theorising and realising cultural capital in an Australian city. Geographical Research, 44(3), 296-309.

Kang, M., & Yang, S. U. (2010). Comparing effects of country reputation and the overall corporate reputations of a country on international consumers’ product attitudes and purchase intentions. Corporate Reputation Review, 13(1), 52-62.

Konlaan, B. B., Bygren, L. O., & Johansson, S.-E. (2000). Visiting the cinema, concerts, museums or art exhibitions as determinant of survival: a Swedish fourteen-year cohort follow-up. Scandinavian Journal of Public Health, 28(3), 174-178.

Laeven, R. J. A., & Goovaerts, M. J. (2004). An optimization approach to the dynamic allocation of economic capital. Insurance: Mathematics and Economics, 35(2), 299-319.

Laing, D. (2012). What’s it worth? Calculating the economic value of live music

Larson, D. M. (1993). On measuring existence value. Land Economics, 69(4), 377-388.

Lee, S. P., Cornwell, T. B., & Babiak, K. (2013). Developing an Instrument to Measure the Social Impact of Sport: Social Capital, Collective Identities, Health Literacy, Weil-Being and Human Capital. Journal of Sport Management, 27(1), 24-42.

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Lobato, R. (2006). Gentrification, cultural policy and live music in Melbourne. Media International Australia, Incorporating Culture & Policy(120), 63.

Long, P. (2014). Popular music, psychogeography, place identity and tourism: The case of Sheffield. Tourist Studies, 14(1), 48-65.

Lööf, H., & Heshmati, A. (2002). Knowledge capital and performance heterogeneity:: A firm-level innovation study. International Journal of Production Economics, 76(1), 61-85.

Luthans, F., Avolio, B. J., & Youseff, C. (2007). Psychological Capital: Developing the Human Capital Edge. Oxford, UK: Oxford University Press.

Luthans, F., & Youssef, C. (2004). Human, social, and now positive psychological capital management: Investing in people for competitive advantage. Organizational Dynamics, 33(2), 143-160.

Luthans, F., Youssef, C. M., & Avolio, B. J. (2007). Psychological capital: Developing the human competitive edge: Oxford University Press, USA.

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Meyhoff, K. W., Krohn, C. W., & Sjøvold, M. (2014). Musikk i tall 2012.

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Miller, B. A., Byrnes, H. F., Branner, A. C., Voas, R., & Johnson, M. B. (2013). Assessment of club patrons’ alcohol and drug use: the use of biological markers. American journal of preventive medicine, 45(5), 637-643.

Miller, P., Droste, N., Martino, F., Palmer, D., Tindall, J., Gillham, K., & Wiggers, J. (2014). Illicit drug use and experience of harm in the night-time economy. Journal of Substance Use(0), 1-7.

Muller, P., Cameron, N., Jameson, L., Robertson, K., & Grafton, R. (2013). The Economic, Social and Cutlural Value of the Salamance Arts Centre 2011-2012: Salamanca Arts Centre.

Muller, P., Harvey, J., Arthur, D., & McMahon, I. (2014). The Socio-Economic Value of AFL Games in Hobart, 2014. Hobart: Institute of Project Management.

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